![]() These are just some of the reasons learning types matter for all aspects of our lives.Īn intrapersonal or solitary learner is self-smart. And if we're a physical learner, we may not benefit from reading well-being tips. If we're a social learner, we may not benefit so much from mindful mediation. That's because the skills that help us improve our emotions must be learned. In addition to potential challenges at work and school, your learning style may also affect how successful you are growing your happiness and well-being. All the more reason to find your learning style and pursue work that fits you. These difficulties in school and work can translate into poor well-being-you're just not in a situation that helps you feel smart and competent. If you have a job that doesn't support your learning style, you may have a hard time excelling, advancing, or getting the recognition you deserve. Learning styles also matter in the workplace. ![]() The way classes are taught in school may only use one or two learning styles and if you don't have one of those learning styles, it can be a struggle. It’s not only as relevant as ever in terms of what’s going on within music today, but it also has a sheer force and creative breadth that makes it feel like a classic, like something that will always seem just as alive as it did when it was created.We never stop learning, but we might struggle while doing so if we're not learning in the right ways. You may already know that the way you learn affects how well you do in school or academics. Bless Kill Rock Stars for picking this music back up again. Theyre easy to fit within categories of both punk rock and feminism, yet they play with such a carefree, wild attitude that it’s hard to imagine them pausing to intellectualize or categorize what they do. To me, Kleenex/Liliput’s most striking feature is the way they play however and whatever they want with a headstrong attitude that says “this is our music, do what you will with it.” They convey both raw power and a sense of absolute creative freedom with every track, whether it’s a bouncy more pop-ish number or an angular piece of post-punk. And, in fact, it’s all worth writing about, and listening to. This collection is filled with so much music, from singles and albums to raw live tracks, that it’s tough to pick the parts that are more worthy of mention than others. A saxophone is added to the mix, and the music gets bouncier, more like a child’s birthday party gone punk than the skeletal art-rock numbers of the earlier days. As the CDs (and their career) progress, the music gets more varied without losing any of the energy or force. The guitars are sturdy and jagged, the drums uptempo and the vocals move from sung to screamed. The earliest tracks on the collection have a sparse, punk-ish feel reminiscent of peers the Raincoats. The two CDs are so filled with music that for newcomers like me it feels like entering a new world - and it is an entire world, an artistic universe put together by a revolving group of musicians, centered around guitarist Marlene Marder and Klaudia Schiff, the two members that stayed from beginning to end, from 1978 to 1983. The compilation, originally released by the label Off Course, includes everything the late ’70s/early ’80s Swiss post-punk band released, from their earliest recordings as Kleenex to their releases as Liliput, after the Kleenex corporation forced them to change their name. The magic moment that lead to the current re-issue of the two-disc Kleenex/Liliput retrospective was the realization by the fine label Kill Rock Stars that this music had relevance to them, that it shared something with the music they were putting out and the musicians of today who they love. The musical legacy of the band known as Kleenex and then Liliput was in danger of fading away, though it goes within saying that their fans will never forget. Reissues aren’t just a matter of keeping history alive, but a process of letting people be moved by music from all time periods, no matter whether record executives think the music is marketable or not. The extreme relevance of reissues lies within this fact, that entire musical careers will go forgotten if the generations to follow have no access to the music. And, considering the profit-driven mentality of most record labels, former musicians can find that their records go out-of-print and are forgotten about unbelievably fast. Music history is filled with more unique and talented musicians that you’ve never heard of than you can imagine.
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